New Brevoort Formspring

jordandwhiteqna:

jeeprhyme:

jordandwhiteqna:

Thanks for expressing your concern to me.

First off, I do always like to say that you are entitled to your own opinion. I am not trying to negate your feelings–they are yours and no one can take that from you. But you wrote to me, so I am going to do what I can to answer/explain from my point of view.

There are a few things in your ask that ring of the telephone game. There are sites out there that are taking the story and the facts and spinning them into different meanings than intended, and then THOSE stories are getting more play than the actual facts of what is happening.

I don’t believe Marvel is asking employees to dress as Hydra agents…I think they were offering them T-Shirts with the Hydra logo on them. Hydra are the villains in this story, they are a big part of it, so promoting them makes sense, to me. Again–I edit the Darth Vader books, which are about a traitorous murderer who works for an oppressive fascist regime that literally blew up multiple planets. He’s the main character of the series, but I hope it’s clear you’re not meant to emulate him.

I don’t believe there is any comic where Magneto joins Hydra.

Now…I have not heard anything about actual white supremacists using Hydra to celebrate their own beliefs. If this is actually true…yeah, of course, that is horrible. It also makes them pretty foolish, because again…it’s pretty clear to me Hydra are the bad guys in this story. The story judges them harshly and invites the reader to do so as well. So…to point to them and hold them up as your ideal is a poor choice for a lot of reasons…not the least of which is that the good guys tend to win in comics, the vast majority of the time.

Because there is definitely no difference between Hydra and The Empire. Nope. One of these is definitely not linked to an organisation that killed millions of actual people, nosiree.

I get what you’re saying, of course.

I would argue that there is no real world connection between Hydra and the Nazis. It’s a connection that only exists in the make-believe fantasy adventure stories in comic books. There is no real Hydra to make a deal with the real life people who did the real life things that we all condemn. 

So the problem is with a fictional history.

To counter that, Marvel has said “The fictional history has changed–that part that people have a problem with is no longer true,” and the critics are denying that, pointing back to earlier fictions. But the idea that Hydra is thousands of years old is just as true as the idea that they worked with the Nazis…because both are false, Hydra is not real.

If the problem is that they were EVER associated with a real life group as reprehensible as the Nazis…then, I don’t know what to tell you, that makes it sound like the problem is the choice that they made in the 70s to begin writing stories about Hydra that connected with Nazis. You’re right–it is a questionable thing to write the perpetrators of one of the worst atrocities in all of history into a family adventure series…but it was a choice made many decades ago. They appeared in Marvel comics just as they did in Indiana Jones and lots of other pop culture adventure stories.

If anything, one would think the use of Hydra would be an effort to DISTANCE what should be relatively innocent entertainments from something so terrible as the Holocaust. To NOT force people to think about the most horrific events of the past 100 years when they read a comic, but still deal with something that feels palpable and has stakes.

And again, it’s very important to state–Hydra are bad guys in Marvel Comics. Stories with them in it are not Civil War style “both sides have their merits” type stories. Hydra is wrong, full stop. The stories judge them harshly and encourage the readers to do the same.

And again–I am sure I am not changing anyone’s mind by writing this…and that is fine. Every reader (or potential reader) is entitled to their own opinion and interpretation of the stories and ideas. I am just telling you my point of view on the story and matter at hand.