Sure, every writer and every situation is different. Some guys such as Mark Millar or Jeph Loeb tend to build short, tight, concentrated stories and get in and get out. Others such as Brian Bendis or Jonathan Hickman do more long-term storytelling over a much greater number of issues and years. But we’re not disrupting that when we make our plans. if there’s a run going on that seems to be working, and on which the writer isn’t yet finished, we don’t force people to leave. This is why, for example, Dan Slott is still writing AMAZING SPIDER-MAN.
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